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8ik' is Gammon is to lie, to exaggerate, to joke. Mary is a woman. Any woman is a Mary. All women are Marys. Doubtlessly the first dim white adventurer whimsically called a native woman Mary, and of similar birth must have been many other words in bêche de mer. The white men were all seamen, and so capsize and sing out were introduced into the lingo. One would not tell a Melanesian cook to empty the dish-water, but he would tell him to capsize it. To sing out is to cry loudly, to call out, or merely to speak. Sing-sing is a song. The native Christian does not think of God calling for Adam in the Garden of Eden; in the native’s mind, God sings out for Adam. CHAPTER III.

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🎮 On the arrival of strangers, every man endeavoured to obtain one as a friend and carry him off to his own habitation, where he is treated with the greatest kindness by the inhabitants of the district; they place him on a high seat and feed him with abundance of the finest food.—Polynesian Researches. The road was so bad that it took two hours to cover the eight miles. The two horses sank knee-deep into the mud and stumbled into ditches; sometimes they had to jump over them. In certain places, Liebard’s mare stopped abruptly. He waited patiently till she started again, and talked of the people whose estates bordered the road, adding his own moral reflections to the outline of their histories. Thus, when they were passing through Toucques, and came to some windows draped with nasturtiums, he shrugged his shoulders and said: “There’s a woman, Madame Lehoussais, who, instead of taking a young man—” Felicite could not catch what followed; the horses began to trot, the donkey to gallop, and they turned into a lane; then a gate swung open, two farm-hands appeared and they all dismounted at the very threshold of the farm-house.!

🏆 They held conversations together, Loulou repeating the three phrases of his repertory over and over, Felicite replying by words that had no greater meaning, but in which she poured out her feelings. In her isolation, the parrot was almost a son, a love. He climbed upon her fingers, pecked at her lips, clung to her shawl, and when she rocked her head to and fro like a nurse, the big wings of her cap and the wings of the bird flapped in unison. When clouds gathered on the horizon and the thunder rumbled, Loulou would scream, perhaps because he remembered the storms in his native forests. The dripping of the rain would excite him to frenzy; he flapped around, struck the ceiling with his wings, upset everything, and would finally fly into the garden to play. Then he would come back into the room, light on one of the andirons, and hop around in order to get dry. The whole method of surf-riding and surf-fighting, learned, is one of non-resistance. Dodge the blow that is struck at you. Dive through the wave that is trying to slap you in the face. Sink down, feet first, deep under the surface, and let the big smoker that is trying to smash you go by far overhead. Never be rigid. Relax. Yield yourself to the waters that are ripping and tearing at you. When the undertow catches you and drags you seaward along the bottom, don’t struggle against it. If you do, you are liable to be drowned, for it is stronger than you. Yield yourself to that undertow. Swim with it, not against it, and you will find the pressure removed. And, swimming with it, fooling it so that it does not hold you, swim upward at the same time. It will be no trouble at all to reach the surface.!

🔥 Download 8ik' On the platform Tehei and Bihaura danced, accompanied by songs and choruses or by rhythmic hand-clappings. At other times a musical knocking of the paddles against the sides of the canoes marked the accent. A young girl dropped her paddle, leaped to the platform, and danced a hula, in the midst of which, still dancing, she swayed and bent, and imprinted on our cheeks the kiss of welcome. Some of the songs, or himines, were religious, and they were especially beautiful, the deep basses of the men mingling with the altos and thin sopranos of the women and forming a combination of sound that irresistibly reminded one of an organ. In fact, “kanaka organ” is the scoffer’s description of the himine. On the other hand, some of the chants or ballads were very barbaric, having come down from pre-Christian times. Now, gentle reader, what would you do if you were on a small boat, rolling in the trough of the sea, a trysail on that small boat’s stern that was unable to swing the bow up into the wind? Get out the sea-anchor. It’s just what we did. We had a patent one, made to order and warranted not to dive. Imagine a hoop of steel that serves to keep open the mouth of a large, conical, canvas bag, and you have a sea-anchor. Well, we made a line fast to the sea-anchor and to the bow of the Snark, and then dropped the sea-anchor overboard. It promptly dived. We had a tripping line on it, so we tripped the sea-anchor and hauled it in. We attached a big timber as a float, and dropped the sea-anchor over again. This time it floated. The line to the bow grew taut. The trysail on the mizzen tended to swing the bow into the wind, but, in spite of this tendency, the Snark calmly took that sea-anchor in her teeth, and went on ahead, dragging it after her, still in the trough of the sea. And there you are. We even took in the trysail, hoisted the full mizzen in its place, and hauled the full mizzen down flat, and the Snark wallowed in the trough and dragged the sea-anchor behind her. Don’t believe me. I don’t believe it myself. I am merely telling you what I saw.!🔥